Three exceptional shoegaze projects are highlighted in this week’s late edition of Monday Shoegaze. Vivienne Eastwood’s single is a light and minimal indie pop track, while Bummer Camp delves into personal vulnerabilities and emotional collapses. Silk, the solo project of Michael Smyth from the band Virgins, presents a dreamy and layered shoegaze sound. How does the raw emotional content of shoegaze music resonate with listeners on a personal level?
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