As the sun rises high at Trees Festival, excitement brews among festival-goers eager for a thrilling lineup. From Melbourne’s indie-punk band Press Club, who deliver an electrifying festival set, to the ferocious masked rap-metal of Blackgold, the day showcases a diverse range of music. Hail the Sun impresses with a blend of post-hardcore flair, while Coilguns charm the crowd despite technical hiccups. Frank Turner’s acoustic solo set evokes nostalgia, and Trashboat maintains high energy. The reunion of Million Dead captures attention, leading to Heriot’s relentless intensity and culminating in Taking Back Sunday’s emotionally resonant performance. Each act contributes to a vibrant tapestry of sound and sentiment.
Given the variety of styles and performances witnessed, how do you think the mix of genres at festivals like Trees can influence audience perceptions of different musical styles?
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