Y’ng-Yin Siew, under her project Fallen Sun, releases a new album characterized by intense noise and electroacoustic elements, presenting organized chaos through jagged, abrasive soundscapes. Drawing inspiration from influential artists like Merzbow and SPK, she redefines the genre, merging historical roots with innovative composition techniques.
What do you think about the evolution of noise music over the decades, and how does the intersection of technology and tradition shape its future?
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