Moody Mcivor, under the label Nerang Records, recently released his second single “Benaiah Fiu” as part of his darkwave project. The track features a rhythmic drum machine and airy synths, with Mcivor’s vocals reminiscent of Ian Curtis and Frank Tovey. The upcoming EP, “Shadow Frequencies,” serves as a tribute to his late friend Benaiah Fiu, expressing grief beneath its mechanical exterior while echoing early ’80s post-punk sounds.
In a genre often characterized by its emotional distance, how does Mcivor balance the mechanical elements of darkwave with the deep personal grief evident in his music?
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