Since the early 2000s, Morphoex, the project of French artist Isthmaël Baudry, has become a pivotal force in experimental electronic music, emphasizing transformation and abstract sonic landscapes. His latest album, Méta Langages, pushes boundaries by treating the human voice as raw material, reflecting his continual evolution as an artist. Beyond music, Baudry’s visual projects and roles in different bands highlight his multifaceted creativity.
What does Baudry’s exploration of non-traditional uses of the human voice reveal about the relationship between language and emotion in music?
