The Unexplained Sounds Group has released a compelling experimental music compilation that revisits the concept of the Dreamachine, originally conceived by Brion Gysin and Ian Sommerville in 1959. This compilation invites contemporary artists to explore themes of altered consciousness through hypnotic repetition and immersive soundscapes, revitalizing Gysin and William S. Burroughs’ quest to break systems of control and expand perception. Given the historical context of the Dreamachine and its connections to art and consciousness, how do you think modern technology and sound experimentation are reshaping our understanding of perception and reality today? Read the Full Article
Author: Ritualcontrol
Read More
Relapse Records has unveiled the lyric video for “The Family,” the second single from Hoaxed’s upcoming album Death Knocks. The song explores themes of inherited responsibilities and the weight of loyalty from birth, described by the band as a familiar darkness. The evocative video features dancers Rosie Yerke and Erik O’Banion and follows the earlier release of “Where the Seas Fall Silent.” This album marks the first appearance of new bassist/vocalist April Dimmick, contributing to Hoaxed’s evolving sound, alongside founding members Kat Keo and Kim Coffel. Recorded with producer Gabe Johnston and mixed by Arthur Rizk, Death Knocks is set…
This year’s EPs showcase a vibrant array of music, with standout work from Deena Shoshkes, whose “This Is The Time” emphasizes love as a political act. Other notable mentions include Thalie Némésis and Larsovitch’s pointed reflections on current events, Sparks’ smartly curated off-cuts, and Head Noise’s playful DEVO homage. In reissues, Henry Badowski’s “Life’s A Grand” shines, alongside compelling collections like the underground Gay Disco anthology. As musical forms continue to evolve, the EP remains a refreshing space for artists to express distinct ideas without the constraints of a full album. In contrast, the reissue landscape reflects nostalgia and ongoing…
Henrik Karlsson, prior to partnering with Dan Barrett at Arcane Dirge in 2023, was already establishing his Subverge project, which focuses on dark ambient soundscapes. His latest release, Select, features introspective and meditative tracks edited from his four previous albums, alongside three unreleased pieces. This collection, released via Aliens Production on January 8, marks a reflective period for Karlsson amid personal challenges and serves as the first of a two-part series. What significance do you think personal challenges play in shaping an artist’s creative output, particularly in genres like dark ambient that thrive on emotional depth and introspection? Read the…
Artoffact Records has unveiled “Security,” the upcoming album from Louisville post-punk band Fotocrime, alongside the aggressive introductory single “Plowjob.” This track blends icy synths and drum machines with a more live, guitar-driven sound, featuring additional vocals from Aaron Turner of Sumac. “Plowjob” examines themes of tyranny and authoritarianism, reflecting on a damaged world. The album will drop on March 13, with Patterson joined by new members David Cundiff and Benjamin Clark. The release also highlights influences from iconic bands like Killing Joke and Big Black, emphasizing a desire to honor their legacies. Pre-orders are available now. In considering the themes…
Summary: Dependent Records has announced that Mesh, the Bristol-based alternative electro and synthpop duo, will release their new album The Truth Doesn’t Matter on March 27. The album features 16 tracks that explore themes of deception in a "post-factual" world, with the lead single "Exile" reflecting these themes through haunting lyrics and a music video featuring a lonely operator and mannequins. The album, their first full-length since 2016, includes contributions from vocalist Mari Kattman and will be available in various formats, including deluxe editions with extra content. Mesh will also tour across Europe and the U.K. from April to May.…
Puscifer has released "ImpetuoUs," the third and final single ahead of their album Normal Isn’t, set for February 6th. This track features a laid-back post-punk vibe, showcasing Maynard James Keenan’s captivating vocals alongside Carina Round’s harmonies, complemented by synths and occasional guitar. Accompanying the song is a visualizer that previews the new comic series Tales from the Pusciverse, hinting at intriguing narratives revolving around the band’s artistic universe. As we anticipate the new album and comic series, it raises the question: How do you think Puscifer’s blend of music and visual storytelling enhances the overall experience of their art? Read…
Los Frankies has released "Dog City," the new single from their upcoming album D.E.D. City, which drops on March 6. This track, following their earlier release "I’m On Drugs," captures the band’s raw, gritty essence as it explores the dog-eat-dog reality of city life. Directed by Kalie Pontes, the music video premiered in New Noise Magazine. The production features core members Frankie Salazar and Frankie Clarke, alongside drummer Miles Deiaco and bassist Davide Cinci, emphasizing an unapologetic approach to their music. Given the band’s assertion that they created this album solely for themselves, it raises an interesting conversation: How does…
Summary The piece reflects on an impressive array of singles released in 2025, with particular emphasis on Fluid Japan, which contributed significantly by collaborating with various artists and releasing multiple singles. Noteworthy highlights include Steven Jones’s collaboration on "Truth," the funky sound of The Blow Monkeys, and ambitious covers like Jan Linton’s take on "Forbidden Colours." The author expresses a love for physical singles as impulsive buys and appreciates the ease of supporting artists through platforms like Bandcamp. There’s excitement about several rising artists, reminiscences of live performances, and a nostalgic nod to beloved classics being reimagined. Thought-Provoking Question Given…
Music Analysis Discussions Records has continued its holiday tradition by releasing M.A.D. VI on December 26th, featuring over 100 tracks from 107 global artists, packaged at an irresistible price. This extensive album serves as a treasure trove for collectors and fans of industrial, dark ambient, and experimental music, complemented by a PDF booklet detailing each artist’s contributions. As the label strengthens its community connections and commitment to alternative sounds, how do you think compilations like M.A.D. VI influence the way we discover and engage with new music and artists? Read the Full Article