Philadelphia shoegazers Nothing have announced a 2026 North American tour kicking off March 4 in Baltimore, culminating with a homecoming show on April 4 in Philly. In tandem with the tour announcement, they’ve released a new single, “Purple Strings,” from their upcoming album, A Short History of Decay, out February 27. The tour will feature support from Full Body 2, Cryogeyser, and Violent Magic Orchestra, along with shows in Japan and a UK/Ireland tour planned for April. As Nothing embarks on this extensive tour, how do you think their evolving lineup will influence the sound and energy of their performances…
Author: Ritualcontrol
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Parisian producer Masha Von Farnakht is swiftly set to release her third studio album, “der katastrophen ist gekommen” (“The Catastrophe Has Come”), in early 2026. This album delves into a diverse array of underground industrial styles—from EBM to powernoise—reflecting her rich musical influences and personal journey, especially in light of her hormonal transition. Scheduled for release on January 26, fans can pre-order it on Bandcamp, with singles “Lass Mich Sein, Was Ich Bin” and “Chaos Kommt” leading up to the launch. This timely arrival of her new work invites an exploration of how personal identity and struggles shape artistic expression.…
Diar Storm, hailing from Essen, Germany, has launched her latest EP, Echos im Licht, featuring four main tracks alongside an instrumental of the title track. Released on December 5 through 1984 Records, the EP embodies her signature tragic darkwave sound infused with ’80s nostalgia. The music video for the title track, directed by DA – Digital Art Design, captures the song’s evocative energy. This release marks Storm’s third of 2025, following singles “No Return” and “A Feeling That’s Killing Me.” Her discography, which includes several EPs and the full-length debut Drowned in Pain released in May 2024, showcases her artistic…
On October 22, 2025, The RecordBar in Kansas City hosted a lively concert featuring Chicago’s Clubdrugs as the opening act, captivating the audience with their blend of darkwave, synthwave, and post-punk. Following them, IAMX delivered a refined and energetic performance, showcasing a changed setlist and enhanced sound quality compared to their previous 2023 show. The crowd remained engaged throughout, even amid unexpected fire alarms, highlighting the unwavering spirit of the fans. What do you think it is about live performances that creates such a strong connection between the artists and the audience, even during unexpected disruptions? Read the Full Article
Belgium’s taâlem Records, renowned for its rich legacy in experimental music, has released its ninth collection featuring 71 innovative tracks. This label is not only a cornerstone of the Belgian music scene but also a significant player in the global experimental landscape. What do you think the role of niche labels like taâlem Records is in shaping the future of experimental music, especially in an era dominated by mainstream trends? Read the Full Article
The latest podmix marks a welcome return after nearly a year, featuring an eclectic lineup that traverses dark minimal soundscapes, electronic beats, and haunting melodies. Tracks like “Schlafen (das ich Rmx)” by DARK MINIMAL PROJECT and “Heavenless (Heavenly Mix)” by SCHRODINGER set a moody tone, while artists like BOY HARSHER and LADYTRON contribute their signature flair. The mix expertly weaves together a diverse array of emotions and styles, inviting listeners into an immersive auditory experience. What do you think makes a mix truly memorable—individual track selection, overall flow, or the emotional journey it takes the listener on? Read the Full…
On December 5, North Carolina’s Halovox released “First Bite,” a single with a heavier sound that explores themes of transformation and self-permission. Founder Frank J. Freda compares this journey to taking a transformative bite, reminiscent of industrial influences like Nine Inch Nails. This track follows April’s “Crashing Lights” and comes after significant releases celebrating the band’s two-decade legacy. As Freda gears up for new material in 2026, one can’t help but wonder: How does the notion of personal transformation resonate with listeners in today’s rapidly changing world? Read the Full Article
Italy’s Vidi Aquam released their album Lights and Shadows in September, showcasing a blend of post-punk sounds through the collaboration of Daniele Viola and Nikita. Their single “The Last Man on Earth” is characterized by dark, somber themes, where the bright guitar contrasts with heavy bass and stark vocals, encapsulating the loneliness of an apocalyptic existence. The accompanying animated music video vividly portrays this nuclear nightmare, enhancing the emotional depth of the track. How does the use of contrasting musical elements in “The Last Man on Earth” amplify the song’s themes of isolation and sorrow? Read the Full Article
After the dissolution of Oxbow in 2024, Eugene S. Robinson has embarked on an exciting solo career, reinterpreting classics from the Great American Songbook. His first single, “I’ve Gotta Be Me,” showcases his passion for these songs, featuring contributions from notable musicians and a focus on individuality. Robinson has a rich history in music, from pioneering hardcore punk with Whipping Boy to his recent work with noise and post-hardcore bands like Buñuel and Mangene. His memoir, published in 2023, reveals his multifaceted talent beyond music. Thought-Provoking Question: How do you think Robinson’s diverse musical background influences his reinterpretation of established…
London industrial/rock artist THORN has released a new single, “The People,” which reflects on social and political detachment during the Krampus holiday. Sampling Ronald Reagan’s “We the People,” THORN emphasizes the irony of society’s apathy as leaders thrive in luxury while the masses suffer. The song, recorded partly while living on the streets of London, serves as a stark reminder of the dark realities hidden beneath a polished surface. With a release date of December 6, coinciding with Krampusnacht, the track critiques societal values, urging listeners to reconsider what they truly celebrate. Influenced by Tom Waits and Nine Inch Nails,…