Author: Ritualcontrol

After a six-year hiatus from new material, Czech band Plague Called Humanity has returned with the single "Obey," featuring a remix by NOVAkILL. The track showcases a video influenced by John Carpenter’s They Live, highlighting themes of societal manipulation and complacency, which is a departure from the band’s previous video styles. Released on December 1, it’s available as a name-your-price item on Bandcamp, following their 2021 EP of remixes and a cover of KMFDM’s "Anarchy" in late 2019. Given the current socio-political climate and ongoing discussions about media manipulation, how do you think art and music can serve as tools…

Diva Destruction has been consistently releasing singles since their return in 2023, with the latest being a dramatic remix of “All I Want” by renowned goth/industrial band Das Ich. This reinterpretation, described by vocalist Debra Fogarty as akin to Beethoven crafting a dancefloor anthem, enhances the original’s energy with the duo’s theatrical style. Released on December 1, this marks Diva Destruction’s fifth single of 2025, following previous tracks including “Break Free” and “Don’t You Dare.” Meanwhile, Das Ich recently unveiled their first studio album since 2008, “Fanal.” Given the resurgence of interest in gothic and industrial music, what do you…

The Old Dead Tree, a French gothic metal band, has made a notable comeback with their new EP, London Sessions, recorded at the iconic Abbey Road Studios. Following a split in the early 2000s, the band reunited post-Covid, releasing the single "Terrified" and performing at Hellfest, which reignited their creative spark. The EP features four tracks, blending emo influences with theatrical elements, notable in songs like “Feel Alive Again” and “What Else Could We’ve Said.” Scheduled for release on November 28th, London Sessions serves as a fitting addition to their discography after nearly two decades. Given the lasting appeal of…

Evi Vine has returned with a captivating new project, “Elisabeth Siddal – The Poems,” after over a year of silence. This 35-minute track immerses listeners in dark electronic atmospheres and post-rock textures, drawing inspiration from the life and work of Elisabeth Siddal, a key figure for the Pre-Raphaelite Brotherhood. Collaborating with several artists, Vine showcases her admiration for Siddal, who was not only a model but a poet and artist herself. This release follows her last single in July 2024 and highlights her artistic evolution since her last full album in 2019. What inherent connections between visual art and music…

This week’s ReGen Update covers exciting news and highlights from the ReGen community. Members can unlock exclusive content through their Patreon subscriptions, emphasizing the value of community support and engagement. As we move forward in 2025, how do you think supportive platforms like Patreon reshape the future of creative content and community interaction? Read the Full Article

Last Saturday, I traveled to Winston-Salem for a rare concert by Mitch Easter, celebrating the availability of Let’s Active’s music online after years of scarcity. The venue, The Ramkat, was a fitting place for the event, as ticket sales were robust enough to move it to a larger capacity room. Opening for Easter was Bass Battery, a duo with a solid mix and impressive vocals, highlighting the vibrant music scene linked to Easter’s studio. Was this resurgence of Let’s Active music indicative of a broader revival of 80s alternative music in our streaming age, and how does nostalgia shape our…

William Maybelline’s project Qual, celebrating a decade of hard-hitting EBM and dark electro, combines influences from the ’80s and ’90s with contemporary techno. His latest album, Love Zone, is a diverse exploration of electro-industrial sounds, intertwining minimal synth, new wave, and darker EBM elements. Each track navigates themes of irony, self-awareness, and haunting atmospheres, with standout pieces that evoke both nostalgia and innovation. Given this rich blend of styles and influences, how do you think the evolution of dark electronic music reflects broader cultural or technological changes over the past few decades? Read the Full Article

Evanescence announces a thrilling 2026 world tour, kicking off in North America on June 11 and wrapping up with a special show at Red Rocks Amphitheatre in October. The lineup features an all-female support team, including Spiritbox, Poppy, and K.Flay, highlighting the band’s commitment to female empowerment in music. Pre-sales start December 2, 2025, with general sales on December 5. Given the rising momentum of female-led bands in rock, what do you think this trend means for the future of the genre? Read the Full Article

Summary: ::Hopeful Machines:: returns with All the Oceans of the World Will Not Wash You Clean, an album that pushes the boundaries of industrial, dark ambient, and experimental music. Over seven tracks, Steven Archer crafts a dense soundscape marked by jolting noises and haunting ambiances. Moments of beauty, like the piano passages in “Anything that Can Reflect Light Will,” are twisted with distortion, resulting in an unsettling listening experience. The album is an adventurous plunge into esoteric territory, exemplified by tracks such as “The Jewelry Box of Condemnation” and the eerie conclusion of “I Don’t Have Memories I Have Scars.”…

Magnetic Skies’ album Fragments, released on November 7, 2025, is a compelling follow-up to their debut Empire Falling. The London synthpop trio delivers an elevated sound through 11 tracks that blend funky basslines, striking keyboard hooks, and somber lyrics. Songs like “A Place On Earth” and “Your Shadow” showcase a darker emotional depth, heightened by Jo Womar’s harmonious contributions and Lenin Alegria’s danceable drumming. The production is sleek, yet it feels more raw and emotionally charged this time around. Notably, tracks like “Slow Motion” stand out as potential hits, hinting at the band’s evolution while retaining their signature sound. How…