Brittany Bindrim is set to release her sophomore album, Counterpoison, on October 24, following the unveiling of her second single, "Ever So Slowly." This track serves as a "chilling indictment of ideological decay," featuring sharp synths and aggressive beats that create a dark dancefloor atmosphere. The accompanying video, styled by Simona Noreik, highlights authoritarian themes through mystical and cybernetic imagery. Alongside "Ever So Slowly," the album includes her previously released single "Spiral Out" and showcases Bindrim’s evolution as an artist since her debut Velella Velella. She also plans to perform live across several cities later this year, kicking off with…
Author: Ritualcontrol
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Summary The Gothic Revival Society invites you to a chilling Halloween celebration on October 31, 2025, at the candlelit crypt beneath Chicago Bar in Kraków. Experience haunting live performances from Eat My Teeth, known for their electrifying deathrock sound, and 25 Jesuses of Fear, a new noise rock band. Closing the night, DJ De’Ath will take over with a darkly gothic mix for the afterparty. Tickets are available from August 1 and include free entrance to the afterparty. Thought-provoking Question As the Gothic scene continues to evolve, how do you think the blend of traditional elements with modern influences shapes…
Re:Mission Entertainment has announced the release of “Dire Days,” the new album from New England’s Snowbeasts, set to drop on September 5. This follows their previous album, “Devour,” and marks their most politically charged work yet, influenced by contemporary turmoil. The lead single, “Death Dance,” arrives on August 22, along with a danceable remix and a visually striking music video filmed in iconic Paris locations. The duo of Robert Galbraith and Elizabeth Virosa combines immersive electronic soundscapes with industrial beats, likely challenging listener perceptions. Given the increasing trend of artists using their platforms to address social and political issues, how…
"Bunsen’s new album, Pulsare, released on August 15, 2025, follows their 2023 album Burner and continues to explore apocalyptic themes with a fresh urban electronic twist, particularly influenced by drum & bass rhythms. With eight tracks mastered by Grant Richardson, Pulsare invites listeners to engage without the expectation of a traditional dancefloor experience. Is this shift towards more urban electronic elements a reflection of broader trends in the metal and industrial genres, or does it signify a deeper exploration of the relationship between the two styles? Read the Full Article
A State Of Flux, in collaboration with Stefan Netschio and Pete Burns, has revisited Ultravox’s haunting classic “Dislocation,” breathing new life into the iconic track. With a fresh take that incorporates heavy synth layers and processed guitar work, the reimagined version offers a modern reflection on dystopian themes, capturing a sound that aligns with today’s musical landscape. The blend of nostalgic elements and contemporary production creates a compelling contrast that honors the original while inviting new interpretations. What does this resurgence of classic tracks say about our current cultural climate, and do you think artists today should continue to reinterpret…
Inverse Records has released “Abattoir (Chosen),” the second single from Finnish electro/metal group Khroma, on August 14. The track showcases the band’s unique blend of cinematic soundscapes, electronic grooves, and heavy metal riffs, with Riku Rinta-Seppälä delivering intense growls and raps. The song, co-written by Rinta-Seppälä and his bandmates, follows the earlier release of “Catch the Whip” and is part of their upcoming self-titled fourth album, set to drop in October. An official lyric video is also available, along with access on Bandcamp and major streaming platforms. Given this genre fusion, how do you think Khroma’s innovative sound will influence…
“Pacem Meam Do Vobis” closes the album with a paradoxical promise of peace intertwined with the inevitability of death. Inspired by Christ’s words from John 14:27, the track opens with apocalyptic brass and gradually builds to a haunting flatline, symbolizing the unsettling relationship between divine assurance and mortal finality. Despite its somber tone, it concludes with a defiant “Alleluia,” embodying a stubborn hope that resonates throughout the album. How does the interplay between peace and death in this track reflect our own understanding of hope in the face of mortality? Read the Full Article
BARA HARI returns with her new single "A Flower in His Garden," marking her first release since the collaboration with genCAB over a year ago. The track explores themes of assertive female identity and vulnerability, addressing toxic masculinity through lines like “Girlhood is a spectrum, or didn’t you know?” Mixed by Ian Flux and featuring live drums, it’s now available on Bandcamp. This release follows her 2023 album Lesser Gods and hints at her evolving sound. What impact do you think the exploration of themes like female identity and toxic masculinity will have on the broader music scene, especially in…
Jean-Marc Lederman is set to release his solo album "Electronic Slipper Music" on August 31, marking his first under his own name since "Soul Music For Zombies." The album features a blend of vocals and modular synthesis across 15 tracks, including eight vocal performances where Lederman aims to explore and manipulate his own voice. Collaborators on the album include Belgian songwriter Jacques Duvall and Emileigh Rohn, with varying industry accolades. Notably, the project emerges after numerous collaborations and previous works, indicating Lederman’s deep-rooted dedication to musical evolution. Thought-Provoking Question: How do you think the integration of modular synthesis and personal…
In 2025, Bristol’s Hateful Abandon returned after a decade with their album Threat, released via Sentient Ruin Laboratories. This definitive edition offers a stark critique of modern strife, exploring themes of class warfare and economic turmoil across eight tracks written over ten years. The album, characterized by its heavy post-punk and industrial atmosphere, was independently released digitally on February 10, and the remastered version will be available on multiple formats starting August 29. What do you think the resurgence of bands like Hateful Abandon, who tackle societal issues through music, says about our current cultural landscape? Read the Full Article