Mat McNerny’s single “Another Day, Another Abyss” from his upcoming album “Slime Of The Times” showcases an unexpected blend of clear vocals and driving post-punk instrumentation. Rooted in classic bass, guitar, and drum arrangements, the track delivers a punchy rhythm reminiscent of the early Cure infused with Ska vibes. McNerny’s poignant lyrics tackle themes of chaos and turmoil, echoing sentiments of our turbulent times. The crisp production allows the message to shine without heavy effects, an approach that could challenge typical expectations of his background in black metal. What do you think about the fusion of genres in McNerny’s work?…
Author: Ritualcontrol
A kalpa is a symbol of eternity compressed into time, akin to a single drop of water shaping a stone over eons. This album captures the essence of a kalpa through expansive soundscapes and ethereal voices, inviting listeners on a contemplative journey of time and existence. As we immerse ourselves in this auditory experience, it encourages us to ponder: How does the concept of time influence our understanding of existence and our daily lives? Read the Full Article
Another month has flown by, and I’ve made significant progress on my music listening list. In this update, I spotlight tracks from rising talents like Silver Biplanes, The Cords, and Massage, alongside a diverse mix of singles. As always, enjoy the tunes! Discussion Question: With so many new artists emerging and experimenting with different sounds, what do you think the future of music holds in terms of genre blending and innovation? Read the Full Article
As the sun rises high at Trees Festival, excitement brews among festival-goers eager for a thrilling lineup. From Melbourne’s indie-punk band Press Club, who deliver an electrifying festival set, to the ferocious masked rap-metal of Blackgold, the day showcases a diverse range of music. Hail the Sun impresses with a blend of post-hardcore flair, while Coilguns charm the crowd despite technical hiccups. Frank Turner’s acoustic solo set evokes nostalgia, and Trashboat maintains high energy. The reunion of Million Dead captures attention, leading to Heriot’s relentless intensity and culminating in Taking Back Sunday’s emotionally resonant performance. Each act contributes to a…
Gillian Dream’s "Bijou" EP offers a bold dive into the lo-fi realms of EBM and industrial, showcasing their emerging identity with five tracks packed into a brief 16-minute runtime. While tracks like “Tisiphone” and “Torque” exhibit a nod to the ’80s and early ’90s grooves, adventurous cuts such as “Toy Box” and “Powerr” spotlight a more chaotic, layered sound. Although not as polished as contemporaries like Youth Code, the duo’s deliberate pacing hints at a potential for deeper sonic exploration. Thought-Provoking Question: As Gillian Dream carves out their sonic identity in a genre rich with history, how do you think…
Last year, the talented young guitarist Ja’kob from Norway, son of skilled musician Karl Morten Dahl (Antipole), released the single “Echoes.” Featuring Pedro Code of IAMTHESHADOW, the track merges delicate guitar interplay with deep electronic beats, creating an ethereal sound. Lyrically, it reflects on past regrets and choices, making it resonate with listeners. The song encapsulates timelessness and is well-suited for the dancefloor, indicative of the artistry involved. Is “Echoes” a reflection of how music can serve as a medium for processing past experiences, and how do you think the collaboration between different artists enhances this emotional depth? Read the…
Arigto, the Berlin and Leipzig-based experimental music duo of Noah Haußmann and Sebastian Stauß, has crafted three EPs and albums, along with soundtracks for films and video games. Their latest album, Lungs, features an accordion as a central figure, transforming personal grief into an acoustic exploration of memory, blending folk traditions with avant-garde sensibilities. The deliberately raw production captures the essence of imperfections, turning inanimate objects into vessels of humanity. What do you think the role of memory plays in shaping artistic expression, and how can this influence our understanding of personal and collective grief? Read the Full Article
Spandau Ballet is celebrating their 80s legacy with a new line of t-shirts representing each album from that era. For fans who missed out on live shows, the nostalgia of their classic hits, particularly "True," reignites passion for the band’s evolution from "Diamond" to "Parade." The shirts are available for pre-order and feature a unique silkscreen design, including the iconic dove logo on the inside. As fans contemplate purchases amidst their musical journeys, it raises questions about the lasting impact of nostalgia on music merchandise and how it connects fans to their favorite eras. Thought-Provoking Question: How do nostalgia and…
Martin Kanja, known as Lord Spikeheart, has had a thrilling year with the debut album The Adept released in 2024, followed by extensive touring in Europe and a collaboration with OvO. He’s now set to release the REIGN EP on September 12, featuring a blend of experimental electronics, grindcore, and African roots music. Notable collaborations include Iggor Cavalera on the title track and Arka’n Asrafokor on “MBWA KALI.” The EP promises fresh sounds and is available for pre-order on Bandcamp. Given the fusion of diverse genres and the incorporation of global influences, how do you think Lord Spikeheart’s music challenges…
IDLES have unveiled a new track titled "Rabbit Run," featured in the soundtrack for Darren Aronofsky’s upcoming film Caught Stealing. The song encapsulates the film’s theme of facing fears directly and is among four original tracks contributed by the band, who also recorded the film’s full score. Scheduled for digital release on August 29th, the soundtrack is being anticipated alongside the film’s premiere, which stars Austin Butler and Matt Smith. In a serendipitous collaboration stemming from a backstage meeting, IDLES’ frontman Joe Talbot expressed his admiration for Aronofsky, revealing a deep personal connection to the director’s work. This project represents…
