BEBORN BETON, the German synth-pop trio, is set to return to the U.S. in May 2025 after a prior tour cancellation due to Hurricane Milton. Vocalist Stefan Netschio expressed excitement about making up for last year’s missed shows, with performances scheduled from Florida to the West Coast, including Dallas and Seattle.
What impact do you think such disruptions have on an artist’s relationship with their audience and the perception of live performances?
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