Guillermo del Toro’s new rendition of Frankenstein may diverge significantly from Mary Shelley’s novel, emphasizing emotional depth and presenting the creature in a sympathetic light rather than a purely malevolent one. While some critics praise its originality, others worry it strays too far from the source material. Del Toro’s film showcases his signature visual storytelling and explores profound themes of life, death, and identity, leading to a rich cinematic experience that stands out in his filmography.
Is the divergence from the original text a necessary evolution for contemporary storytelling, or does it dilute the essence of Mary Shelley’s themes and intentions?
