This week’s focus on the Shoegaze Blog highlights a varied compilation from Argentina’s No Me Escucho Records, featuring diverse reinterpretations, including a standout shoegaze cover by We Melt Chocolate. Additionally, Michele Cingolani’s album The Infinite Sea dives into raw emotions through noisy, home-recorded tracks that resonate with adolescent melancholy.
Is the emotional depth of music often tied to its production style, as seen in Waving Blue’s lo-fi approach, or can polished productions evoke similar feelings?
