Charlie Werber, a standout in progressive and avant-garde music, has launched his debut album “Krater,” which he describes as a transformative meditation on movement cycles through intricate polyrhythms. With two expansive tracks—each over 22 minutes—Werber explores the interplay between light and dark, featuring Daniel O’Sullivan’s contributions in both vocals and instrumentation. Released on June 20, “Krater” is now available digitally and on vinyl via Bandcamp.
What do you think the cyclical themes in “Krater” reveal about the nature of time and our perception of movement in music?
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