Jaz Coleman, known for his work in Killing Joke, is now adapting Aleister Crowley’s The Book of the Law into a choral musical work. Despite Crowley’s controversial reputation, his influence on Western esotericism is undeniable. Coleman’s rendition of Liber AL vel Legi promises to provide a unique and mystical experience for the audience. What are your thoughts on the melding of music and occult philosophy in this project, and the impact it may have on listeners?
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