Nahja Mora has unveiled the “Pieces” collection, an archive of six tracks written over the last two decades by founder Josef Saint, designed to separate focused album works from independent pieces. This year has marked significant releases for the Baltimore dark electronic and experimental industrial act, including the singles “VCR Head” and “Hidden Unknown,” along with the live EP “Batz Over Baltimore 2016.” The intent behind “Pieces” is not just organizational but aims to streamline Saint’s creative output, culminating in a rich exploration of their past.
Given this deep dive into older material, how do you think revisiting past works influences an artist’s current creative direction?
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