Australian industrial synth crust artist Kieren Hills released a vinyl repress of his album No Life Left and announced a tour in Japan from August 30-September 7. Hills is excited to delve into Japan’s vibrant industrial and noise scene during the tour, which will include performances in Tokyo, Nagoya, Yokohama, Osaka, and Kyoto. After the tour, Hills plans to record a third Schkeuditzer Kreuz album. This showcases the global reach and impact of underground music scenes. How do you think the exchange of artists and music influences between different countries shapes the evolution of music genres?
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