Philippe Gerber, known as John 3:16 in the industrial music scene, has recently released Pelicula Fantastica, a conceptual album featuring 30 hauntingly evocative tracks. Merging his dual careers as a film composer and sound engineer, Gerber crafts immersive soundscapes that blur the lines between film score and standalone auditory experience. This album marks a significant moment in his long-standing collaboration with Alrealon Musique, the label that began its journey with his music.
Given Gerber’s exploration of emotions and cinematic narratives, how do you think the boundaries between music and film soundtracks will continue to evolve in the digital age?