The Unexplained Sounds Group has released a compelling experimental music compilation that revisits the concept of the Dreamachine, originally conceived by Brion Gysin and Ian Sommerville in 1959. This compilation invites contemporary artists to explore themes of altered consciousness through hypnotic repetition and immersive soundscapes, revitalizing Gysin and William S. Burroughs’ quest to break systems of control and expand perception.
Given the historical context of the Dreamachine and its connections to art and consciousness, how do you think modern technology and sound experimentation are reshaping our understanding of perception and reality today?
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